Authors:
Yaroslava Muravetska, Junior researcher in the Department of Theory of Literature, Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine, PhD; Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine, Kyiv, Ukraine.
https://orcid.org/0000-0003-0408-0389
Academia.edu: https://ilnan.academia.edu/YaroslavaMuravetska
Reviewers:
Sulyma Mykola Matviyovych, academician of the National Academy of Sciences of Ukraine, Doctor of Sciences, professor, lead of the Department of ancient Ukrainian literature, Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine; Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine, Kyiv, Ukraine.
https://orcid.org/0000-0002-8750-4126
Google Scholar: https://scholar.google.com.ua/citations?user=pdF-OmwAAAAJ&hl=ru
Meizerska Tetyana Severynivna, Doctor of Sciences, professor of the Department of theory and history of world literature named after professor V. I. Fesenko, Kyiv National Linguistic University; Kyiv National Linguistic University, Kyiv, Ukraine.
https://orcid.org/0000-0001-9954-0389
Google Scholar: https://scholar.google.com/citations?user=sK84T18AAAAJ&hl=uk
Affiliation:
Project: Scientific book
Year: 2023
Publisher: PH "Naukova Dumka"
Pages: 159
DOI:
https://doi.org/10.15407/978-966-00-1838-9
ISBN: 978-966-00-1838-9
Language: Ukrainian
How to Cite:
Muravetska, Y. (2023) Visual Code of Realism in Ivan Nechuy-Levytskyi. Kyiv, Naukova Dumka. 159p. [in Ukrainian]
Abstract:
Yaroslava Muravetska, for the first time in Ukrainian literary studies, explores visual imagery in the fiction of I. Nechuy-Levytskyi. Also, using the example of his work, the researcher analyzes the poetics of realism in terms of the visual code.
The researcher outlines functioning of the «visuality» notion in modern literary science, develops the concept of realism at a literary and critical works of I. Nechui-Levytskyi. The role of visual strategies in the writer’s prose is emphasized and the place of visuality in his writing style is determined, as well as the creativity through the prism of visual imagery is considered. There have been characterized the peculiarities of portraying and landscape description and identified the intermedial forms of theatricalization and painterliness in I. Nechui-Levytskyi’s prose. The focus is made on visual representation of literary styles, in particular decadence, within the writer’s creativity, modern intermedial interpretations of I. Nechui-Levytskyi’s novel “Kaidasheva simia” (“Kaidash’s Family”) have been analyzed in the context of visuality.
Yaroslava Muravetska applies the methodology of visual studies for the analysis of literature and demonstrates that literature can be an object for visual studies (1.1).
The researcher clarifies the individual features of Ivan Nechuy-Levytskyi’s style at the theoretical (1.2, 2.2.) and practical levels (sections 2, 3), and also analyses the presence of romantic, folkloric (1.2, 3.3.) and pre-impressionist (3.4.) features in the author’s style.
The author proves that the use of visuality in the writer’s prose is not limited to ethnography and everyday reality, but, in particular, serves to indirectly express the idea of the work (chapters 2, 3).
The scientist gives attention to the use of visuality as a storytelling element (chapter 2), and studies the intermedial aspects of the interaction of visuality and literature (chapter 3.1, 3.2, 4). In particular, the scientist highlights the influence of theatrical (3.1) and pictorial (3.2) art on the stylistic, thematic, storytelling level of Ivan Nechuy-Levytskyi’s prose.
Finally, the researcher analyzes the impact of the writer’s story “The Kaidash Family” on more recent works by other authors, using the example of book illustrations, a film-diptych, and a play. The author focuses on the art of “translation” from “verbal” to “visual” language (chapter 4).
Keywords:
Key words: visuality, Ivan Nechui-Levytskyi, realism, visual strategies, visual forms of representing, prose, landscape, portraiture, theatricality, picturesqueness, intermediality, Nechuy-Levytsky’s national concept of realism.
References:
Abramova, I. (2002). Khudozhnie traktuvannia etnopsykholohichnykh typiv ukraintsia u prozi I. S. Nechuia-Levytskoho 60-80-kh rokiv ХІХ stolittia (dys. … kandydata filol. nauk). Zaporizkyi derzhavnyi universytet. Zaporizhzhia, Ukraina. [in Ukrainian]
Ambitska, A. (2011). Povisti y romany I. S. Nechuia-Levytskoho: arkhetypnyi analiz (dys. … kandydata filol. nauk). Kirovohradskyi derzhavnyi pedahohichnyi universytet imeni Volodymyra Vynnychenka. Kirovohrad, Ukraina. [in Ukrainian]
Anderson, B. (2011). Uiavleni spilnoty. Mirkuvannia shchodo pokhodzhennia y poshyrennia natsionalizmu (V. Morozov, per. z anhl.). Kyiv: Krytyka. [in Ukrainian]
Arnhejm, R. (1974). Iskusstvo i vizual’noe vosprijatie (V. Samohin, per. z angl.). Moskva: Progress. [in Russian]
Bart, R. (2001). S/Z (G. Kosikov, red., per. s fr. 2-e izd.) Moskva: Jeditorial URSS. [in Russian]
Bart, R. (1987). Vvedenie v strukturnyj analiz povestvovatel’nyh tekstov. (s. 387-422). Zarubezhnaja jestetika i teorija literatury XX – XXI vv. Moskva: Izdatel’stvo Moskovskogo universiteta. [in Russian]
Bart, R. (1994). Jeffekt real’nosti. (s. 392–400) Semiotika. Pojetika. Moskva: Progress. Vzjato iz http://www.philology.ru/literature1/barthes-94f.htm. [in Russian]
Bahtin, M. (1972). Problemy pojetiki Dostoevskogo. Moskva: Hudozhestvennaja literatura. [in Russian]
Bahtin, M. (1990). Tvorchestvo Fransua Rable i narodnaja kul’tura srednevekov’ja i Renessansa. (2-e izd.) Moskva: Hudozhestvennaja literatura. [in Russian]
Bahtin, M. (1986). Jestetika slovesnogo tvorchestva. Moskva: Iskusstvo. [in Russian]
Bal’, M. (2012). Vizual’nyj jessencializm i ob#ekt vizual’nyh issledovanij. Logos, (1), 212-249. Vzjato iz http://docplayer.ru/40666801-Vizualnyy-essencializm-i-obekt-vizualnyh-issledovaniy1.html [in Russian]
Berdjaev, N. (1910). Dekadentstvo i misticheskij realizm. (s. 15-27) Duhovnyj krizis intelligencii. Sankt-Peterburg. Vzjato iz http://www.odinblago.ru/berdaev_dekadanstvo [in Russian]
Bernshtein, M. (1959). Ukrainska literaturna krytyka 50–70-kh rokiv KhIKh st. Kyiv: Vydavnytstvo Akademii nauk URSR. Vylucheno z http://chtyvo.org.ua/authors/Bernshtein_Mykhailo/Ukrainska_literaturna_krytyka_50-70-kh_rokiv_KhIKh_st/ [in Ukrainian]
Biletskyi, O. (1960) Ivan Semenovych Levytskyi (Nechui). Vid davnyny do suchasnosti: zbirnyk prats z pytan ukrainskoi literatury . Zibrannia prats u 2-kh tomakh. T. I. Kyiv: Derzhlitvydav, 283-336. [in Ukrainian]
Bovsunivska, T. (2013). Ekfrazys. Verbalni obrazy mystetstva: monohrafiia. Kyiv. [in Ukrainian]
Bozhovich, V. (1991). Ob avtorskoj tochke zrenija v literature i rannem kinematografe. Jekrannye iskusstva i literatura: Nemoe kino. Moska: Nauka, 47-63. [in Russian]
Bondar, M. (2008) Poetyka prozy I. Nechuia-Levytskoho: u poshuku estetychnykh konstytuentiv. Ivan Nechui-Levytskyi: postat ta tvorchist: zbirnyk prats Vseukrainskoi naukovoi konferentsii. Cherkasy: vydavnytstvo Yu. Chabanenko, 105–123. [in Ukrainian]
Usmanova, A. (red.) (2007). Vizual’noe (kak) nasilie. Sbornik nauchnyh trudov. EGU. [in Russian]
Gerasimova, I. (red.) (2008). Vizual’nyj obraz (mezhdisciplinarnye issledovanija). Moskva: Ifran. [in Russian]
Vilna, Ya. (2014). Kontseptsiia rozvytku ukrainskoi literatury I. Nechuia-Levytskoho: teoretychnyi i khudozhnii aspekt. (s. 187-196) Vylucheno z http://philology.knu.ua/files/library/lit_st/42-1/24.pdf [in Ukrainian]
Vinnikova, N. (2011). Osoblyvosti parodii I. Nechuia-Levytskoho «Bez puttia. Opovidannia po-dekadentskomu». (s. 179-183) Vylucheno z http://elibrary.kubg.edu.ua/2300/1/N_Vinnikova_konf_GI.pdf [in Ukrainian]
Vlasenko, V. (1969). Khudozhnia maisternist I. S. Nechuia-Levytskoho. Kyiv [in Ukrainian]
Havrylova, T. (2008) Toponimiia tvoriv I. Nechuia-Levytskoho. Ivan Nechui-Levytskyi: postat ta tvorchist: zbirnyk prats Vseukrainskoi naukovoi konferentsii. Cherkasy: vydavnytstvo Yu. Chabanenko, 499-504 [in Ukrainian]
Haievska, L. (1991). Ivan Franko. Romantyzm, naturalizm, realizm? Problemy istorii ta teorii realizmu ukrainskoi literatury XIX – pochatku XX st.: zbirnyk naukovykh prats. (red. M. Yatsenko). Kyiv: Naukova dumka, 112 – 165. [in Ukrainian]
Haievska, L. (1998) Proza (s. 74-98). Istoriia ukrainskoi literatury XIX stolittia: U 3 kn. (3 tom, red. M. Yatsenko). Kyiv: Lybid. [in Ukrainian]
Garodi, R. (1966). O realizme bez beregov. Pikasso. Sen-Dzhon Pers. Kafka. Serija: Dlja nauchnyh bibliotek. Moskva: Progress. [in Russian]
Heneraliuk, L. (2008) Universalizm Shevchenka: Vzaiemodiia literatury i mystetstva. Kyiv: Naukova dumka. [in Ukrainian]
Holod, R (2005). Ivan Franko ta literaturni napriamy kintsia KhIKh – pochatku KhKh stolittia: monohrafiia. Ivano-Frankivsk: Lileia-NV. [in Ukrainian]
Gornickaja, N. (1985) O granicah vzaimodejstvija kino i literatury. Zrimoe slovo. Kino i literatura: dialektika vzaimodejstvija. Sbornik statej. Leningrad: «Iskusstvo», 14-59. [in Russian]
Gubina, E. (2015). Vizual’nost’ pis’mennogo teksta: k voprosu o sootnoshenii verbal’nogo i vizual’nogo. (s. 403-408). Vzjato iz https://docplayer.ru/72056352-Vizualnost-pismennogo-teksta-k-voprosu-o-sootnoshenii-verbalnogo-i-vizualnogo.html [in Russian]
Hundorova, T. (2000) Zhinka i dzerkalo. Vylucheno iz http://www.ji.lviv.ua/n17texts/hundorova.htm [in Ukrainian]
Hundorova, T. (2009). ProIavlennia slova. Dyskusiia rannoho ukrainskoho modernizmu. Kyiv: Krytyka. [in Ukrainian]
Drahomanov, M. (1970). Literatura rosiiska, velykoruska, ukrainska i halytska. Drahomanov M. Literaturno-publitsystychni pratsi. (U 2 tomakh. T. 1., s. 80-221). Kyiv. [in Ukrainian]
Drobotun, O. (2010). Kolorystyka ukrainskoi prozy doby modernizmu (na materiali novelistyky M. Kotsiubynskoho, O. Kobylianskoi, V. Vynnychenka), (dys. … kandydata filol. nauk). Kirovohrad, Kirovohradskyi derzhavnyi pedahohichnyi universytet im. V. Vynnychenka. [in Ukrainian]
Dudnyk, T. (2015) Nestandartna simia.. Suchasne vydannia «Kaidashevoi simi» rozryvaie shablony. Vylucheno iz http://blog.yakaboo.ua/%D0%BD%D0%B5%D1%81%D1%82%D0%B0%D0%BD%D0%B4%D0%B0%D1%80%D1%82%D0%BD%D0%B0-%D1%81%D1%96%D0%BC%D1%8F-%D1%81%D1%83%D1%87%D0%B0%D1%81%D0%BD%D0%B5-%D0%B2%D0%B8%D0%B4%D0%B0%D0%BD%D0%BD%D1%8F-%D0%BA/ [in Ukrainian]
Yevreinov, N. (2002) Demon teatralnosti. (red. A. Zubkov i V. Maksimov). Sankt-Peterburg: Letnii sad. [in Russian]
Yefremov, S. (2002) Vybrane. Statti. Naukovi rozvidky. Monohrafii. Kyiv: Naukova dumka. [in Ukrainian]
Yefremov, C. Ivan Levytskyi-Nechui. Vylucheno iz https://docs.google.com/viewer?url=http://www.ukrcenter.com/!FilesRepository/Literature\_Upload3//9dea05e7-abdb-47af-ae1e-393afa63f012.pdf [in Ukrainian]
Yefremov, S (1995). Istoriia ukrainskoho pysmenstva. Kyiv. [in Ukrainian]
Zahirnia, M. (1999). Spohady. Luhansk. [in Ukrainian]
Zatonskyi, D. (1998). Chy mozhe isnuvaty realizm u mystetstvi? Filolohichni seminary. Realistychnyi typ tvorchosti: teoriia i suchasnist, 11-16. Kyiv: Kyivskyi universytet. [in Ukrainian]
Zontag, S. (2002). Pro fotohrafiiu. (Tarashchuk P., per. z anhl.). Kyiv: Osnovy. [in Ukrainian]
Ivan Nechui-Levytskyi: postat ta tvorchist: zbirnyk prats Vseukrainskoi naukovoi konferentsii. (2008). (red. Bernadska N., Bondar M., Zborovska N. ta in.). Cherkasy: vydavnytstvo Yu. Chabanenko. [in Ukrainian]
Ivanchenko, R. (1980). Ivan Nechui-Levytskyi: Narys zhyttia i tvorchosti. Kyiv: Dnipro. [in Ukrainian]
Ilina, T. (1983). Istoriya iskusstv. Zapadnoevropeiskoe iskusstvo. Moskva: Visshaya shkola. [in Russian]
Ingarden, R. (1962). Issledovaniya po estetike. Moskva. [in Russian]
Kalynchuk, A. (2012). Istorychni romany I. Nechuia-Levytskoho: osoblyvosti poetyky: monohrafiia. Kyiv: Chetverta khvylia. [in Ukrainian]
Klymenko, H. (2018). Modernistski intentsii zriloi tvorchosti Ivana Nechuia-Levytskoho. Visnyk Cherkaskoho universytetu. Seriia Filolohichni nauky, (1), Knyha 1, 37-46. [in Ukrainian]
Klochek, H. (2013). Poetyka vizualnosti Tarasa Shevchenka: monohrafiia. Kyiv: Akademvydav. [in Ukrainian]
Kovalchuk, O. (2015). Vizualne u tvorchosti M. Kotsiubynskoho: monohrafiia. Nizhyn: NDU im. M. Hoholia. [in Ukrainian]
Kodak, M. (1997). Realizm. Istoriia ukrainskoi literatury XIX stolittia: U 3 kn. (red. M. Yatsenko, T. 3, s. 35-73). Kyiv: Lybid. [in Ukrainian]
Kostomarov, M. (1906). Dvi ruski narodnosti. Kostomarov M., Metlynskyi A. Tvory Amvrosiia Metlynskoho ta Mykoly Kostomarova. (s. 413-477). Lviv: Prosvita. [in Ukrainian]
Krutikova, N. (1997). Ivan Nechui-Levytskyi. Istoriia ukrainskoi literatury XIX stolittia: U 3 kn. (red. M. Yatsenko, T. 3, s. 99 – 131). Kyiv: Lybid. [in Ukrainian]
Krutikova, N. (1965). Rozkryta knyha zhyttia. Nechui-Levytskyi I. Zibrannia tvoriv : u 10 t. (T. 1., 5-51). Kyiv: Naukova dumka. [in Ukrainian]
Krutikova, N. (1961). Tvorchist I. S. Nechuia-Levytskoho. Kyiv. [in Ukrainian]
Kudriashova, O. (2008). Poetychni formuly u kaztsi I. S. Nechuia-Levytskoho «Skryvdzheni i neskryvdzheni». Ivan Nechui-Levytskyi: postat i tvorchist: zbirnyk prats Vseukrainskoi naukovoi konferentsii, 284-289. Cherkasy: vyd. Yu. Chabanenko. [in Ukrainian]
Kuznetsov, Yu. (1995). Impresionizm v ukrainskii prozi kintsia XIX – pochatku XX st.: Problemy estetyky i poetyky. Kyiv: Zodiak-Eko. [in Ukrainian]
Kukuruza, N. (2011). Stsenichni versii natsionalnoi klasyky v ukrainskykh teatrakh u konteksti suchasnoi masovoi kultury. Naukovi zapysky. Seriia: Mystetstvoznavstvo, (2), 168-175. [in Ukrainian]
Lavlinskii, S. O dvukh strategiyakh khudozhestvennoi reprezentatsii zrimosti. Vzyato iz http://ec-dejavu.ru/v/Visuality.html [in Russian]
Lavrov, D. (2002). Sviatyi Kyiv nash velykyi. Kyiv: Krynytsia. [in Ukrainian]
Lapii, M. (2016). Psykholohichnyi peizazh u prozi Ivana Franka ta «Molodoi Muzy». Semantyka y poetyka: monohrafiia. Kyiv: Naukova dumka. [in Ukrainian]
Lysiuk, V. (2012). Poeziia remesla: monolohy teatralnoho pedahoha. Vinnytsia: Nova Knyha. [in Ukrainian]
Limborskyi, I. (2005). Kontroversiinist prosvitnytskoho realizmu: reviziia ideolohichnoho mifu i sproba paradyhmatychnoho analizu. Slovo i chas, (7), 37-44. [in Ukrainian]
Literatura na poli medii. Zbirka naukovykh prats viddilu teorii literatury ta komparatyvistyky Instytutu literatury im. T. H. Shevchenka NAN Ukrainy. (2018). (red. Hundorova T., Syvachenko H.). Kyiv. [in Ukrainian]
Lotman, Yu. (1992). Izbrannie stati po semiotike i tipologii kulturi: v 3-kh t. (T. 1.). Tallinn. [in Russian]
Lotman, Yu. (1975). Struktura khudozhestvennogo teksta. Moskva: Iskusstvo. [in Russian]
Lukach, G. (1938). K istorii realizma. Vzyato iz https://litresp.ru/chitat/ru/%D0%9B/lukach-georg/k-istorii-realizma [in Russian]
Maidan, O. (1997). Panas Myrnyi. Istoriia ukrainskoi literatury XIX stolittia: U 3 kn. (red. M. Yatsenko, T. 3, s. 131-160). Kyiv: Lybid. [in Ukrainian]
Marynenko, Yu. (2008). Tvorchist I. Nechuia-Levytskoho 1900-kh rokiv (aksiolohichnyi aspekt). Ivan Nechui-Levytskyi: postat i tvorchist: zbirnyk prats Vseukrainskoi naukovoi konferentsii, 124-134. Cherkasy: vydavnytstvo Yu. Chabanenko. [in Ukrainian]
Mezhenko, Yu. (2000). Ivan Semenovych Nechui-Levytskyi. Literaturnyi narys. Vylucheno z http://sites.utoronto.ca/elul/Nechui/Mezhenko.html [in Ukrainian]
Meizerska, T. (2018). Intertekst romanu Petra Yatsenka «Nechui. Nebach. Nemov». Suchasni literaturoznavchi studii, (15), 132-148. Vylucheno z file:///C:/Users/User/Downloads/Sls_2018_15_24%20(1).pdf [in Ukrainian]
Mishchuk, R. (1987). Do kharakterystyky indyvidualnoho styliu I. Nechuia-Levytskoho. Indyvidualni styli ukrainskykh pysmennykiv XIX – pochatku XX st. Kyiv, 140-168. [in Ukrainian]
Mishchuk, R. (1991). Realizm Panasa Myrnoho i problema khudozhnoi rozpovidi. Problemy istorii ta teorii realizmu ukrainskoi literatury XIX – pochatku XX st.: zbirnyk naukovykh prats. (red. M. Yatsenko). Kyiv: Naukova dumka, 78-111. [in Ukrainian]
Muranets, T. (2010). Kolosalne vseobiimaiuche oko vsiiei Ukrainy. (Ivan Nechui-Levytskyi v otsintsi Ivana Franka). Ukrainski literaturoznavchi studii, (72), 146-159. [in Ukrainian]
Naienko, M. (2008). Ivan Nechui-Levytskyi i modernizm.Ivan Nechui-Levytskyi: postat ta tvorchist: zbirnyk prats Vseukrainskoi naukovoi konferentsii. Cherkasy: vydavnytstvo Yu. Chabanenko, 135-138. [in Ukrainian]
Naienko, M. (2006). Polski motyvy v ukrainskomu realizmi (Ivan Nechui-Levytskyi: Prychepa ta Hetman Ivan Vyhovskyi). Vylucheno z http://shron1.chtyvo.org.ua/Naienko_Mykhailo/Polski_motyvy_v_ukrainskomu_realizmi_Ivan_Nechui_Levytskyi_Prychepa_ta_Hetman_Ivan_Vyhovskyi.pdf [in Ukrainian]
Nalyvaiko, D. (2004). Epistemolohiia y poetyka realizmu. Slovo i chas, (11), 3-17. [in Ukrainian]
Nalyvaiko, D. (1987). Styl napriamu y indyvidualni styli v realistychnii literaturi XIX st. Indyvidualni styli ukrainskykh pysmennykiv XIX – pochatku XX st. Kyiv. 3-42. [in Ukrainian]
Nechui-Levytskyi, I. (1967). Apokalipsychna kartyna v Kyievi. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 8, 259-263). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Baba Paraska ta baba Palazhka. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 3, 5-26). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Bez puttia. Opovidannia po-dekadentskomu. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 7, 294-350). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Bidnyi dumkoiu bahatiie (fantaziia). Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 3, 27-34). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Burlachka. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 3, 143-300). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1967). Vechir na Vladymyrskii hori. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 9, 70-94). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Vitrohon. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 6, 92-100). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). V Karpatakh (Z mandrivky v horakh). Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 4, 355-388). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1968). V kontserti. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 120-135). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1967). Volne kokhannia. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 9, 19-55). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1967). Hastroli. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 8, 130-187). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Dvi moskovky. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 1, 51-101). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1967). Dyvovyzhnyi pokhoron. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 9, 7-18). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Drehochyn ta Ostrih. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 5, 14-23). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Zhyvtsem pokhovani. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 7, 260-293). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1968). Zahalnyi ohliad nainovishoi rusko-ukrainskoi literatury. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 161-168). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Zaporozhtsi. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 2, 338-358). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Kaidasheva simia. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 3, 300-437). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (2015). Kaidasheva simia: Povist. Kyiv: Osnovy. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Kyivski prokhachi. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 7, 359-447). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Kniaz Yeremiia Vyshnevetskyi. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 7, 5-259). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Lyst do Borysa Hrinchenka. 22 serpnia 1881 r. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 288-289). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Lyst do Marii Zankovetskoi. 21 sichnia 1908 r. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 476). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Lyst do Mykhaila Komarova vid 25 zhovtnia 1911 r. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 487-489). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Lyst do Mykhaila Kotsiubynskoho vid 20 sichnia 1903 r. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 399-402). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Lyst do Natalii Kobrynskoi vid 25 veresnia 1900 r. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh.(t. 10, 366-369). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Lyst do Natalii Kobrynskoi vid 8 hrudnia 1898 r. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 351-353). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1968). Mariia Zankovetska, ukrainska artystka. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 148-160). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Mykola Dzheria. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 3, 34-143). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Navizhena. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 6, 5-91). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1967). Na hastroliakh v Mykytianakh. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 8, 5-129). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Nad Chornym morem. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 5, 100-314). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1967). Neodnakovymy stezhkamy. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 8, 264-482). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1988). Nepotribnist velykoruskoi literatury dlia Ukrainy i dlia slovianshchyny (Sohochasne literaturne priamuvannia). Nechui-Levytskyi, I. Ukrainstvo na literaturnykh pozvakh z Moskovshchynoiu. Lviv: Kameniar. [in Ukrainian]
Nechui-Levytskyi, I. (1967). Nich na Dnipri. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 8, 188-199). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Pomizh vorohamy. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 6, 140-300). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Prychepa. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 1, 126-371). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Propashchi. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 5, 46-99). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (2012). Svitohliad ukrainskoho narodu. Nechui-Levytskyi, I. Vybrani tvory. Kyiv: Knyha. [in Ukrainian]
Nechui-Levytskyi, I. (1968). Sorok piati rokovyny smerti Tarasa Shevchenka. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 169-170). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Starosvitski batiushky ta matushky. Nechui-Levytskyi, I Zibrannia tvoriv u 10-ty tomakh. (t. 4, 38-322). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1968). Ukrainska dekadentshchyna. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 10, 187-223). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Ukrainski humorysty ta shtukari. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 5, 356-446). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1965). Khmary. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 2, 5-337). Kyiv: Naukova dumka. [in Ukrainian]
Nechui-Levytskyi, I. (1966). Shevchenkova mohyla. Nechui-Levytskyi, I. Zibrannia tvoriv u 10-ty tomakh. (t. 4, 5-12). Kyiv: Naukova dumka. [in Ukrainian]
Nikovskyi, A. (1926). Peredmova do «Burlachky». Nechui-Levytskyi I. Burlachka. (red. A. Nikovskyi, s. 5-28). Kyiv. [in Ukrainian]
Obraz mista v konteksti istorii, filosofii, kultury: Kraieznavchi chytannia. (2005). Kyiv: PARAPAN. [in Ukrainian]
Pavi, P. (2006). Slovnyk teatru. Lviv. [in Ukrainian]
Podoroga, V. (1995). Fenomenologiya tela. Vvedinie v vizualnuyu antropologiyu. Moskva, Ad Marginem. Vzyato iz: https://mamardashvili.com/files/pdf/podoroga/%D0%9D%D0%B0%D1%87%D0%B0%D0%BB%D0%BE%20%D0%B2%20%D0%BF%D1%80%D0%BE%D1%81%D1%82%D1%80%D0%B0%D0%BD%D1%81%D1%82%D0%B2%D0%B5%20%D0%BC%D1%8B%D1%81%D0%BB%D0%B8.pdf [in Russian]
Pokhodzilo, M. (1966). Ivan Nechui-Levytskyi: Literaturnyi portret. (2-he vyd.). Kyiv: Dnipro. [in Ukrainian]
Pronkevych, O. (2007). Natsiia-naratsiia v ispanskii literaturi doby modernizmu: monohrafiia. Kyiv: Pedahohichna presa. [in Ukrainian]
Prosalova, V. (2010). Intertekstualnist khudozhnoho tekstu: tekstotvirnyi i retseptyvnyi aspekty: monohrafiia. Donetsk: Nord-Pres. [in Ukrainian]
Punina, O. (2012). Kinofikatsiia ukrainskoho literaturnoho dyskursu (20-30-ti roky KhKh stolittia): monohrafiia. Donetsk: Donetskyi natsionalnyi universytet. [in Ukrainian]
Raskina, O. (2001). Prostymo Kaidashiv? Vylucheno z https://dt.ua/CULTURE/prostimo_kaydashiv.html [in Ukrainian]
Rysak, O. (1996) Melodii i barvy slova: problemy syntezu mystetstv v ukr. lit. kintsia KhIKh – pochatku KhKh st. Lutsk: Volynskyi derzhavnyi universytet im. Lesi Ukrainky. [in Ukrainian]
Rodina, Ye. Razvlecheniya i igri dvoryanskoi epokhi. Teatralnie uvlecheniya. «Zhivie» kartini. Sharadi. Burime. Nauchnii blog muzeya-zapovednika «Tarkhani». Vzyato iz http://museum-tarhany.livejournal.com/14096.html [in Russian]
Savchenko, V. (2002). Vizualnyi pereklad literaturnoho tekstu. (dys. … kandydata filos. nauk). Odesa: Odeskyi natsionalnyi universytet im. I. I. Mechnykova. [in Ukrainian]
Sidorov, A. (1972). Kniga i zhizn: sbornik knigovedcheskikh rabot. Moskva. [in Russian]
Silanteva, V. (2015). Literatura i zhivopis v kontekste komparativistiki: pisateli i khudozhniki periodov esteticheskoi pereorientatsii: monografiya. Odessa: Astroprint. [in Russian]
Silanteva, V. (2000). Khudozhestvennoe mishlenie perekhodnogo vremeni (literatura i zhivopis): A. P. Chekhov, I. I. Levitan, V. A. Serov, K. A. Korovin. Odessa: Astroprint. [in Russian]
Sizova, K. Liudyna u dzerkali literatury: transformatsiia pryntsypiv portretuvannia v ukrainskii prozi XIX – pochatku XX st.: monohrafiia. Kyiv. nats. un-t im. T. Shevchenka. K.: Nasha kultura i nauka, 2010. 356 s. [in Ukrainian]
Skupeiko L. Indyvidualnyi styl pysmennyka v interpretatsii I. Franka (istoryko-typolohichnyi aspekt). Indyvidualni styli ukrainskykh pysmennykiv XIX – pochatku XX st. Kyiv, 43-71. [in Ukrainian]
Soloveva, G. (1995). Smert i modernizm. Figuri Tanatosa. Filosofskii almanakh. Pyatii spetsialnii vipusk, (5), 3-4. [in Russian]
Tarnavskyi, M. (2018). Nechuvanyi Nechui. Realizm v ukrainskii literaturi. Kyiv: Laurus. [in Ukrainian]
Tatarkevych, V. (2001) Istoriia shesty poniat. Kyiv: Yunivers. [in Ukrainian]
Tkachenko, R. (2010). Poklyk khymery: dekadans v ukrainskii literaturi kintsia XIX – pochatku XX st. Kyiv: Knyha. [in Ukrainian]
Todorov, Ts. (1999). Vvedenie v fantasticheskuyu literaturu. Moskva: Dom intellektualnoi knigi. [in Russian]
Ukrainka, L. (1979). Lyst do materi vid 14 (27) sichnia 1903 r. San-Remo. Ukrainka, L. Zibrannia tvoriv u 12 t. (t. 12, s. 29-35). Kyiv: Naukova dumka. [in Ukrainian]
Favorskii, V. (1976). Rasskazi khudozhnika-gravera. Moskva. [in Russian]
Franko, I. (1981). Iz sekretiv poetychnoi tvorchosti. Franko, I. Zibrannia tvoriv u 50-ty tomakh. (t. 31, 45-119). Kyiv: Naukova dumka. [in Ukrainian]
Franko, I. (1980). Literatura, yii zavdannia i naivazhlyvishi tsikhy. Franko, I. Zibrannia tvoriv u 50-ty tomakh. (t. 26, s. 5-13). Kyiv: Naukova dumka. [in Ukrainian]
Franko, I. (1986). Lyst do O. Roshkevych vid 26. 12. 1878 r. Franko, I. Zibrannia tvoriv u 50-ty tomakh. (t. 48, s. 133). Kyiv: Naukova dumka. [in Ukrainian]
Franko, I. (1982). Yuvilei Ivana Levytskoho (Nechuia). Zibrannia tvoriv u 50-ty tomakh. (t. 35, s. 370-376). Kyiv: Naukova dumka. [in Ukrainian]
Freilikh, S. (2002). Teoriya kino: ot Eizenshteina do Tarkovskogo. Moskva: Akademicheskii Proekt. [in Russian]
Khavrus, S. (2013). Liubov i mrii mudroho Nechuia: literaturoznavchi rozvidky. Cherkasy: Intehral-Tekhnoimpeks. [in Ukrainian]
Khavrus, S. (2006). Na ekrani – tvory Nechuia-Levytskoho ta yoho stebliv: literaturno-kraieznavchi rozvidky, narysy ta zamalovky. Cherkasy: Kurier. [in Ukrainian]
Khavrus, S. (2008). Steblivski zustrichi: literaturno-kraieznavchi rozvidky. Cherkasy: Kurier. [in Ukrainian]
Khalizev, V. (1986). Drama kak rod literaturi. Poetika, genezis funktsionirovaniya. Moskva: Izdatelstvo Moskovskogo universitetata. [in Russian]
Khoroshkov, M. (2012). Literaturni dyskusii druhoi polovyny XIX st. yak sposib heneruvannia novykh mystetskykh idei. Visnyk Mariupolskoho derzhavnoho universytetu. Seriia: filolohiia, (6), 95-101. [in Ukrainian]
Chyzhevskyi, D. (1999). Realizm v ukrainskii literaturi. Kyiv: Prosvita. [in Ukrainian]
Chyzhevskyi, D. (2004). Slovianskyi realizm. Slovo i chas, (8), 48-63. [in Ukrainian]
Shershnova, A. (2015). Obrazotvorennia v anhlomovnykh oriientalnykh poetychnykh miniatiurakh: kohnityvno-semiotychnyi aspekt: monohrafiia. Kyiv: Vydavnychyi dim Dmytra Buraho. [in Ukrainian]
Shestopal, O. (2015). Zasoby «teatralizatsii» literaturnoho tekstu (na materiali ispanskoi prozy postmodernizmu). Literaturoznavchi studii, (43 (2), 326-333). Vylucheno z http://nbuv.gov.ua/UJRN/Lits_2015_43%282%29__42 [in Ukrainian]
Shestopal, O. (2013). Teatralnist yak pertseptyvna katehoriia u konteksti suchasnykh mizhdystsyplinarnykh doslidzhen. Literaturoznavchi studii, (37 (2), 436-442). Vylucheno z http://nbuv.gov.ua/UJRN/Lits_2013_37%282%29__68 [in Ukrainian]
Shupta-Viazovska, O. (2008). Preimpresionizm u tvorchosti Nechuia-Levytskoho. Ivan Nechui-Levytskyi: postat ta tvorchist: zbirnyk prats Vseukrainskoi naukovoi konferentsii. Cherkasy: vydavnytstvo Yu. Chabanenko, 145-150. [in Ukrainian]
Yung, K.-G. (1996). Dusha i mif: shest arkhetipov. (per. s nem). Kiev: Gosudarstvennaya biblioteka Ukraini dlya yunoshestva. [in Russian]
Yavorski, A., Krispin, T. (2010). Vvedenie v semioticheskie peizazhi. Vzyato iz http://gefter.ru/archive/5322 [in Russian]
Yakobson, R. (1987) O khudozhestvennom realizme. Yakobson, R. Raboti po poetike. Moskva. [in Russian]
Yampolskii, M. (2000) Nablyudatel: ocherki istorii videniya. Moskva: Ad Marginem. [in Russian]
Yampolskii, M. (2001) O blizkom (Ocherki nemimeticheskogo zreniya). Moskva: Novoe literaturnoe obozrenie. [in Russian]
Chmielecki, K. (2015). From visual culture to visual communication. The pictorial and iconic turn in contemporary culture. Art Inquiry. Recherches sur les arts. (XVII), 94-114. Removed from https://www.academia.edu/29180487/From_Visual_Culture_to_Visual_Communication._The_Issue_of_the_Pictorial_and_Iconic_Turn_in_the_Contemporary_Culture [in English]
Cornwall, A. (2015). The Tension of the Real: Visuality in Nineteenth Century British Realism. A dissertation for the degree of Doctor of Philosophy in the Department of Comparative Literature. Graduate School of the University of Oregon. Removed from https://scholarsbank.uoregon.edu/xmlui/bitstream/handle/1794/19336/Cornwall_oregon_0171A_11361.pdf?sequence=1&isAllowed=y [in English]
Crary, J. (1992). Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, MA: MIT Press. [in English]
Curtius, E. R. (1973) Essays on European Literature Paperback. Princeton University Press. [in English]
Foster, H. (ed). (1988). Vision and Visuality. Seattle: Bay Press. Removed from https://monoskop.org/images/3/39/Foster_Hal_ed_Vision_and_Visuality.pdf 135 [in English]
Greenberg, C. Towards A Newer Laocoon. Removed from https://west.slcschools.org/academics/visual-arts/documents/Laocoon.pdf [in English]
Jay, M. (2002). Cultural Relativism and the Visual Turn. Journal of Visual Culture, (1 (3), 267-278). [in English]
Harrow, S. (ed). (2013). The art of the text: Visuality in Nineteen- and Twentieth-Century Literary and Other Media. University of Wales Press. [in English]
Kristeva, J. In the Beginning Was Love: Psychoanalysis and Faith. Removed from https://pdfs.semanticscholar.org/fc46/8be007d08c085304389a6a34c35883985685.pdf [in English]
Kristeva, J. (1982). Powers of Horror: An Essay on Abjection. NewYork: Columbia Univ. Press, 247 p. Removed from http://users.clas.ufl.edu/burt/touchyfeelingsmaliciousobjects/Kristevapowersofhorrorabjection.pdf [in English]
Levin, H. (1963). The Gates of Horn: A Study of Five French Realists. Oxford University Press. [in English]
Mitchell, W. J. T. (1995). Interdisciplinarity and visual culture. Art Bulletin. Vol. LXXVII, (4), 540-544. Removed from http://faculty.georgetown.edu/irvinem/theory/Mitchell-Interdisc_and_Visual_Culture-ArtBulletin-77-4-1995.pdf [in English]
Mitchell, W. J. T. (1994). Picture Theory: Essays on Verbal and Visual Representation. The University of Chicago Press. [in English]
Mitchell, W. J. T. (2002). Showing seeing: a critique of visual culture. Journal of visual culture, 165-181. Removed from https://journals.sagepub.com/doi/10.1177/147041290200100202 [in English]
Mitchell, W. J. T. (2006). What Do Pictures Want?: The Lives and Loves of Images. University of Chicago Press. [in English]
Pijarski, K. «Realism», Embodied Subjects, Projection of Empathy. Removed from https://www.researchgate.net/publication/322289383_Realism_Embodied_Subjects_Projection_of_Empathy [in English]
Purgar, K. (2016). Reality and truthfulness. Abstraction, (hyper) realism and the «post-pictorial condition». Pianob, vol. 1, (2), 72-102. Removed from https://pianob.unibo.it/article/view/6933/6687 [in English]
Rajewsky, I. (2010). Border Talks: The Problematic Status of Media Borders in the Current Debate about Intermediality. Media Borders, Multimodality and Intermediality. (Lars Elleström, ed.), 51-68. [in English]
Rajewsky, I. (2005). Intermediality, Intertextuality, and Remediation: A Literary Perspective on Intermediality. Intermedialites, (6), 43-64. Removed from http://cri.histart.umontreal.ca/cri/fr/intermedialites/p6/pdfs/p6_rajewsky_text.pdf [in English]
Tsimpouki, T. (2008). Realism, narrative visuality and the hieroglyphic world of Newland Archer. Removed from https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/104245/1_BrnoStudiesEnglish_34-2008-1_11.pdf [in English]
Weisstein, U. (1974). Comparative Literature And Literary Theory: Survey And Introduction. Indiana University Press. [in English]