BOOKS OF THE NATIONAL ACADEMY OF SCIENCES OF UKRAINE

Discourse of masculinity in Ivan Franko’s prose

Arts and Humanities, Literature

Authors:

Kateryna Shmeha, PhD, junior research fellow. State Institution «Ivan Franko Institute of the National Academy of Sciences of Ukraine». Lviv, Ukraine.

https://orcid.org/0000-0002-6736-2263

 

Reviewers:

Roman Golod, The doctor of philology, professor of the chair of Ukrainian literature, the head of Philology Faculty; Vasyl Stefanyk Precarpathian National University, Ivano-Frankivsk, Ukraine.

https://orcid.org/0000-0002-2394-0869

 

Iryna Rozdolska, Associate Professor at the Department of Ukrainian Literature named after academician Mykhailo Vozniak, Ivan Franko National University of Lviv, Ukraine.

https://orcid.org/0000-0002-3308-1981

 

Affiliation:

Project: Scientific book

Year: 2022

Publisher: PH "Naukova Dumka"

Pages: 230

DOI:

https://doi.org/10.15407/978-966-00-1862-4

ISBN: 978-966-00-1862-4

Language: Ukrainian

How to Cite:

Shmeha, K. (2022) Discourse of masculinity in Ivan Franko’s prose. Kyiv, Naukova Dumka. 230p. [in Ukrainian].

Abstract:

The book deals with masculine discourse in Ivan Franko’s prose. Special attention is focused on such issues of the masculine discourse as power, professional and public realization of men, parent-filial relations, violence, alcoholism, etc., which were relevant to the Franko’s period and remain so today. After all, from this perspective the character images, the character-forming principles of the writer, the manifestations of masculine identity, axiology and the ways of male socio-integration are revealed more detail.

The discourse of masculinity is analyzed in the context of Galicia in the late 19th – early 20th century and taking into account the elements of autobiography. It is concluded that changing of Galicia’s social system in the 19th century, with its rapid urbanization and cultural conservatism, forced men to acquire new social roles and professions, attaining masculine features related to the specifics of their chosen activities. On this basis, masculine types such as “reformer”, “rebel”, “business man”, “wasted man” and others are distinguished.

It is determined that Franko’s works on a plot level correlate with mythic stories, which refer to a hero-civilizator – a cultural hero, and such a character is close to writer’s masculine ideal. The collective image of a cultural hero is most fully represented in the image of Kost’ Dumiak (The Great Noise), a fearless, prudent, wise, self-confident person, but not only engaged in the public service, a happy husband and father.

A particular chapter of the book is focused on the strategies and tactics of men’s communication, their verbal and non-verbal communication behavior.

Special attention is payed at describing of male physicality.  Ivan Franko does not shy away from portraying a sick, frail, old body, yet he cultivates images of healthy, developed, not too thin, but also not obese, mature or even older men. The leitmotif attributes of the masculine appeal of his characters are moustaches, wide shoulders and high height, activity and confidence of movements, lively look. The interdependence of a healthy body and a healthy spirit is inherent for visual characteristic of images.

The book will be useful for everyone interested in gender as one of the literary categories, as well as the discourse of masculinity in Ukrainian literature and in the works of Ivan Franko.

Keywords:

masculine discourse, masculine type, gender studies, cultural hero, reformer man, physicality, power, interpersonal relationships, men’s communication.

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